Random Forest
(LOYO cross-validation)
Ensemble
(LR + RF averaged)
5 nominees
equal probability
Lower is better
Baseline ≈ 0.16
| Feature | Win Rate | vs. 20% baseline | N noms |
|---|---|---|---|
| Was betting favorite | 58% | 19 | |
| BAFTA win | 50% | 8 | |
| BAFTA nomination | 50% | 12 | |
| UK / Ireland production | 41% | 17 | |
| USA production | 40% | 15 | |
| English language | 38% | 37 | |
| Heavy / political subject matter | 14% | 36 |
BAFTA × English is the key interaction
A BAFTA-nominated English-language film wins 50%+ of the time — far above the 20% baseline. This interaction term is novel; no prior model captures it. It's why A Friend of Dorothy is a real 24% second choice despite being less discussed.
Platform tier beats festival prestige
Distribution via The New Yorker, Netflix, or A24 matters more than winning a prestigious festival. Voter accessibility drives viewing, and viewing drives votes. Two People Exchanging Saliva is freely streamable on NewYorker.com.
Heavy subject matter is a weak predictor
Films about war, trauma, or politics win only 14% of the time — slightly below baseline. Voters favor formal inventiveness and emotional resonance over gravity of topic.
Runtime sweet spot: 16–25 minutes
Films in this band outperform both very short (<15 min) and long (30+ min) entries. Too short risks feeling slight; too long risks overstaying a welcome with busy Academy voters.